Poem of the Day

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Will I? Won’t I?

Our senses are detectives


I hear a kettle boil and click.

I see the steam rise soft and thick.

I sense that kettle’s very hot.

Will I touch it?  NO I’ll not.


I see green mould upon the fruit.

I touch it and it feels too soft.

I smell the scent of yucky rot.

Will I taste it?  NO I’ll not.


I feel the raindrops on my skin.

I smell the dampness closing in.

I see the lightning on the hill.

Will I hear it?  Yes I will.


I see the smoke and bonfire blaze.

I feel its warmth upon my face.

I hear the crackling spits and spills.

Will I smell it?  Yes I will.


I hear a mossie’s whining flight.

It stops.  And then I feel a bite.

Will I see it? Not at night.

Will I squash it?  Yes I might!

Celia Berrell

Submitted in response to Poetry Prompt #27

Celia said: If asked to do something, people may say YES and then change their mind.  I tend to say NO first-up, THEN change my mind!  Which way round will it be for you?

Magic Fish Dreaming: Review










Magic Fish Dreaming by June Perkins, illustrated by Helene Magisson (Gumbootspearlz Press)

ISBN 9780980731187 PB RRP $17.99

Review: Teena Raffa-Mulligan


Words and pictures dance a joyful duet throughout the pages of this beautifully presented illustrated collection of poems.

Magic Fish Dreaming invites young readers to seek out and appreciate the wonders of this world we share and recognise the poetry in the natural and urban environment.

June Perkins’ poetry is evocative and whimsical and their spirit is reflected in Helene Magisson’s exquisite full colour illustrations.

The collection opens with the delightful Hunting for a Poem, my personal favourite.

We can hear the waves

Yes, we can be like waves

Find simile in sky

Clouds whispering ‘goodbye’.

Readers are then led on a journey of the imagination to explore secret places, chat with a cassowary, do a storm dance, sing a rain song and let their imaginations roam free in rainforest country.

Perkins has been writing, performing and publishing poetry in Australia and the Pacific. She won an Australia Day cultural award in 2011 for services to writing and mentoring youth. June has published two books, Under One Sky (2010) and After Yasi, Finding the Smile Within (2013).  In 2008, after moving to Far North Queensland, she coordinated Ripple, a community project for multicultural groups and schools to celebrate poetry and photography and began writing some of the poetry that would become this book.  In 2016 she won an Australian Society of Authors mentorship and has been working on picture books and a young adult novel ever since.

Magisson was trained in the art of medieval illumination in Paris, exhibiting her work in Europe and teaching the history and techniques of medieval miniature in primary and high schools, both in France and in India, where she lived for a few years. When she settled in Australia, Magisson decided to start a new career in children’s book illustration. She has illustrated, The Velveteen Rabbit by Margery Williams Bianco and Night Before Christmas for New Frontier.  Several other projects are due for release in 2017.

The book was created through crowd funding from 142 backers from 10 countries.

Magic Fish Dreaming is a book to share and to treasure in families and in classrooms.

It is currently available through Peter Pal library supplier, direct from author at https://magicfishdreaming.com/ and from selected Queensland book stores.





Poetry book review

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downsize_250_1000Big Silly, Little Sensible

Mike Lucas

Ginger Cat Publishing

ISBN 9780994559203

RRP $19.99

Reviewed by Teena Raffa-Mulligan


As the title suggests, this collection written and illustrated by Mike Lucas is a mix of silly and sensible poems, with most falling into the former category.

Poems range from the ultra-short to the super long and are sorted into sections such as growing up, animals, space and time, fairy tales and people. Most are accompanied by Lucas’s line drawings.

All are child friendly and Lucas clearly has the capacity to slip easily into the world of childhood.

The silliness will appeal to young readers, as will the farts poems and frequent use of invented words.

There’s a lovely sense of rhyme and rhythm in some of the poems, while others I found a little awkward to read aloud, which for me is always part of enjoying poetry.

It’s all about me, The not upside down poem, The exactly one minute poem and Don’t steal the scare from a grizzly bear are my favourites of the 99 poems featured in the collection.

Big Silly and Little Sensible makes playing with words and writing poetry seem like a lot of fun, so would be a useful addition to classroom resources.

The book includes some blank pages where young poets are invited to write their own poems.

Big Silly and Little Sensible is available here.

Poetry book review

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Our Home is Dirt by Sea

Australian poems for Australian kids

Selected by Dianne Bates

Walker Books ISBN 9781925081190 PB RRP $16.99

Reviewed by Teena Raffa-Mulligan

our-home-is-dirt-by-sea-coverFrom the title with its play on the line from our national anthem to the content and the creators, this anthology is Australian in flavour and is sure to become a popular addition to home and school libraries.

Dianne Bates, who selected the poems for inclusion, said her aim in compiling the anthology was to honour some fine Australian children’s poets and there are many names that will be familiar to poetry lovers.

The book is well presented and easy to read and features a diverse range of child-friendly, well-crafted poems sorted into categories of Mostly Me, Families, People, Animals, Sport, School and Special Times.

“In choosing which poems to include I was guided by numerous factors,” Bates said.

“First I needed to believe that any given poem would appeal to child readers; I asked myself would they understand the poem and would they like it.

“For me, a poem needs to touch the readers in some way, not just intellectually but emotionally. The reader ought to have an ‘ah’ moment.

“What matters most in a collection of poems like this is that the reader will want to dip into it again and again.”

Our Home is Dirt by Sea fulfils Bates’ intent.

It’s difficult to highlight individual poems from an anthology of this quality. Among my personal favourites are If I Were a Kid (Jane Williams), Quite Bizarre (Kylie Seeberg), The Lady (Ann Coleridge), A Dancing Cat (Janeen Brian) and Christmas Visitor (Bill Condon).

Some poems will amuse and entertain, while others will prompt serious thought, such as Auschwitz Flower by Ian McBryde and The Last of His Tribe by Henry Kendall.

The anthology is a wonderful resource for schools. I’ve used it in my creative writing sessions for young people and adults and find it offers excellent examples of diversity in style and voice.

The only aspect of the book that jarred with me was the background graphic of the Foreword, About the Poets and First Lines Index. It works on the colour cover but interferes with text clarity in mono in the interior of the book.

Bates said the anthology took a decade from research to publication. It’s been worth the wait. Anyone who enjoys poetry – child or adult – is sure to find many poems to love and share in its pages.

Our Home is Dirt by Sea is available from the publisher here.

Poet’s new release

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xanother-night-in-mullet-town.jpg.pagespeed.ic.B-hWqvFFJEAnother Night in Mullet Town by Steven Herrick (University of Queensland Press)

PB RRP $19.95 IBBN 9780702253959

Reviewed by Dianne Bates

Here is a verse novel from award-winning Australian poet and author, Steven Herrick, which illuminates mateship, family relationships, and navigating life.

For typical Aussie teenagers, Jonah and Manx, life mainly encompasses fishing (for mullet) at the local Coraki lake, watching — and joining — school mates party on Friday nights and looking for courage to further develop their relationships with Ella and Rachel. There are other problems, of course, insofar as Jonah’s warring parents are ending their marriage, motherless  Manx has issues, too, and the boys’ lakeside town is about to be sold off to city outsiders for redevelopment. This creates tension in town, especially when someone scrawls graffiti against the Sydney interlopers on the local real estate office owned by newcomers, the Lloyd-Davies.

The story has strong messages which are magnified due to the format of verse with characters and scenes being conveyed in fewer words than that of a conventional novel. Herrick is a master at capturing so much in few words; his writing is crisp and succinct and evocative. There is a strong sense of place in the novel with tight but descriptive language that introduces the creek, the lake, the swamp near Lake Road (site of Manx’s house), the ocean, and the town with its large pensioner population.  Both boys were born in Turon where Jonah’s dad runs the petrol station with its mostly truckie customers and ‘goggle-eyed tourists’ on their way to Balarang Bay.

Herrick’s prose perfectly captures the book’s characters. Here’s a description of Manx as seen through Jonah’s eyes: ‘He walks like a draught-horse pulling a load/his head pushed forward, chin up/and muscular arms hanging by his side./His voice is a few octaves deeper and bass, hands the size of boxing gloves,/dark hair sprouting from each of his knuckles.’

In each verse, which has its own sub-title, one aspect of the town or its people, is described. For example, there are the consecutive sections called ‘Vodka Cruisers’ and ‘Broken Glass and Bravado’ where after drinking ‘the night always ends/with broken bottles/piled up on the sand/and all of year ten/wondering who’ll vomit first.’

If you are trying to get a teenager to read – especially a boy – this novel with its terse, and what have been described as ‘iridescent,’ verses, is a great book to encourage him to read. As usual, it’s likely that Another Night in Mullet Town will take out some literary awards.


Poem of the Day


Count-up to Planet Bed


I’m one for the window

and two for the door.


I’m three for the ceiling

and four for the floor.


I’m five for the morning

and six for the night.


I’m seven for the stairs

and eight for the light.


I’m nine for a story

and ten for my bed.


Now I’m off for a dream

to hold in my head.


Katherine Gallagher

(Published in Toothpaste Trouble (ed. Nick Toczek, Macmillan, 2002)

  • Submitted in response to Poetry Prompt #23

Poetry Prompt #22

Katherine says: Going to bed isn’t always a happy time but it can be made fun with ‘ a one-step-at-a-time’ count-up. Your Poetry Prompt #23 reminded me of this situation.


Poetry Book Review

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Shoctopus-cover-imageShoctopus: Poems to Grip You

by Harry Laing, illustrated by Clinton De Vere (Bunda Books, 2015)

PB RRP $20  ISBN 9780980435023

Reviewed by Dianne Bates


Some time ago I was privileged to be entertained in my own home by Canberra poet, comic performer and creative writing teacher, Harry Laing, who recited a number of his quirky and humorous verse. The man is a natural performer! So it’s wonderful that he has now produced his first collection of children’s verse to accompany him as he tours schools and other venues with his show.

The cover of Shoctopus is bright and appealing and as one flicks through the 95-page book, it’s apparent that much thought has gone into making the book as child-friendly as possible. It’s attractively designed with frequent black and white illustrations. It’s also apparent that the collection has many different topics and poetic styles; dipping into it is a pleasure.

The first poem in the collection is ‘Dangerous Words’ made up of rhyming couplets with lines such as

‘Words can be MEAN,

words run FERAL                                                                                            

you play with words at your peril’

Laing has obviously played with words in all of his child-accessible poems. He tells poems from the point of view of a ‘Supertap’, a leech, a worm, and even a wheelie bin. There are raps such as ‘Billy Rap’, limericks, shape poems, a poem that looks like the forest it is about, even life stories (such as ‘Potato Story’), a prose poem and more. Quite a few of the poems are about animals – skink, Pobblebonk frog, a blowie (called Chloe) and an emu; and there are poems from the point of view of objects such as toothbrushes, tyres and trees. A few poems reflect children’s lives; one such poem is ‘It Doesn’t Make Sense’ about a kid falling out of bed.  My only quibble about the collections is that it would have been good to have read more child-narrated poems like this one.

The main message of Laing’s collection is that the poems in this collection are great for reciting aloud, and they ought to be read. There’s no doubt that they will be popular with most readers, even adult ones.

Shoctopus costs $20 plus $3 postage & packing and is available for purchase on Harry Laing’s website www.harrylaing.com.au. The poet is available for writing workshops and performances in schools and can be contacted at harrylaing@bigpond.com