Poet and writer Stephen Whiteside answers some key questions about writing poetry. To find out more about Stephen and his work, visit his website here
1. Where do you get ideas?
Poet and writer Stephen Whiteside answers some key questions about writing poetry. To find out more about Stephen and his work, visit his website here
1. Where do you get ideas?
Find the rhythm
Poetry doesn’t have to rhyme but it should have good rhythm–should sound good read aloud, as that is how most poetry for children is delivered, rather than silent reading. Listen to the sounds as you read out your poem; does it have a good pattern, an attractive rhythm? Jerky rhythm or forced rhyme will really spoil the overall feel. – Sophie Masson. (Visit Sophie’s website here to find out more about her writing).
Where do you get ideas? How do you write a poem? Do poems have to rhyme? What makes it a poem if it doesn’t rhyme? Who publishes poetry? How do I become a children’s poet? What is your top tip for writers who want to write poetry for children?
These are among the myriad questions asked by writers who want to write poetry. How would you answer them? If you have a poetry pointer to share, email me at traffa-m(at)bigpond.net.au
I was very excited when my collection of rhyming verse/bush poetry for children, The Billy That Died With Its Boots On and Other Australian Verse was published by Walker Books in May last year. Walker did a beautiful job of putting the book together, and I felt confident that it would do well.
However, I was a little disappointed with what I felt was a lack of publicity. I made my own efforts, and did manage to secure an interview on ABC Local radio in Melbourne (774) on a Monday afternoon during the school holidays, but that was about it.
Then, when the book won a Golden Gumleaf for Book of the Year at the Australian Bush Laureate Awards during the Tamworth Country Music Festival in January this year, I realised I had the ‘hook’ I needed. It was particularly gratifying – and of interest to the media – that a book for children had won an award that is ostensibly an award for books for adults.
I decided to target ABC Local radio once again and, again, my home town, Melbourne came through. I secured an interview with Libby Gorr on a Sunday morning. However, I had no success with the other capital cities.
It then occurred to me that my natural constituency, given that the book was ‘bush verse’, was probably rural and regional Australia. With this in mind, I began to approach some of the smaller ABC Local radio stations. I quickly struck gold.
As a general rule, responses fell into one of three categories.
I secured a state-wide interview in Ballarat by explaining the history of my various ancestors in rural Victoria. I secured an interview in south west Queensland by discussing the influence of Banjo Paterson on my work. (Paterson wrote Waltzing Matilda in this part of Australia.) I secured a couple of interviews in South Australia by discussing the influence of CJ Dennis on my work. (Dennis was born in South Australia, and lived there as a child and young adult.) I have secured an interview in Albany, Western Australia, by explaining that there are poems about whales in the book. (We will do the interview as soon as the whales arrive!) I have also secured an interview in Tamworth, because that is where I won the award.
I should add that all of these interviews (13 now in total) have been conducted without my leaving Melbourne. A few have been live, but most were pre-recorded. Most have been conducted on my mobile phone. I attended the ABC Soutbank Studios for the interview with Libby Gorr.
Of particular interest was the Ballarat interview, where I was placed in a ‘Tardis’ in Southbank. These are highly sophisticated studios that allow the interviewee to sound as though they are in the same studio as the interviewer, even though they may be many miles away.
My favourite interviews have been with the smallest stations in far off corners of this huge continent. The interviewers tend to be more passionate, the interviews longer, and the questions more interesting.
Do any of these interviews sell books? I don’t know, and I probably never will. I cannot see how they could do any harm, however, and they are great fun. Of course, the number of people listening to these programmes is likely to be less than with the large metropolitan stations, but there is nothing to be done about that.
My own feeling is that these smaller rural and regional ABC Local radio stations are a highly valuable and probably greatly under-utilised resource for authors trying to sell their books.
You know
when you walk on a bush track at noon
the birds are hushed by heat
but down near your feet leaves rustle
and you smile to yourself
because another creature is near
it’s like that
You know
when you feel grumpy for days
nothing’s right and you don’t know why
then it shifts and fat drops of rain
kiss the dust on the pavement
the air is alive with possibilities
just before the water roars down
it’s like that
You know
when you get an ear worm
three or more words together
that tease you so much
you can’t get them out of your head
Sometimes it lasts for years
it’s like that
You know
when you ride barefoot in winter
and your feet slip off the pedals
and you stub your toes
the pain takes your breath away
it’s like that
You know
when your old best friend tells
their new best friend
your deepest, secret shame
and now everyone knows
Then, a universe away,
the cold coal of rage
becomes a diamond rhyme
it’s like that
You know
when you wake up from a dream
so luminous you rush to catch it
and though it slips through your net of words
the moth dust left behind on the mesh
glows softly for years to come
it’s like that
You know it’s like that
You know it’s like that
You know it’s like that
don’t you?
(Originally published in the US by Cicada, Vol 14, no 3, 2011 and later republished in Fremantle Press Performance Poets, 2013)
So You Wanna Be a Children’s Poet…
In this informative article, freelance writer Linda Phillips looks at techniques, terminology and genres and offers some sound advice for anyone keen to write poetry for young people.
“The point is to read widely, acquire new skills and techniques, and get busy writing. You’ll never be a ‘wanna-be’ children’s poet again.”
http://www.writing-world.com/poetry/children.shtml
How to Write Poetry for Magazines
Suzanne E. Henshon encourages aspiring poets to write for magazines as a first step on their path to publication.
“Writing poetry for children is exciting and exhilarating. You’ll discover that the gift of words is challenging to develop but wonderful to share. As a poet, you can give young readers lasting memories: poems that will stay in their hearts forever.”
Elizabeth Kennedy recommends several books for poetry readers in the 12+ age group on this site.
http://childrensbooks.about.com/od/poetry/tp/poetry.htm
I particularly liked the sound of these…
Dark Emperor of the Night, a 2011 John Newbury honour book by Joyce Sidman. Kennedy describes it as “a striking mixture of poetry, science and art”.
Pieces: A Year in Poems and Quilts features 20 poems about nature by Anna Grossnickle Hines, all illustrated by a miniature quilt created by the poet.
Do you have a poem for young people to share as our Poem of the Day? I’d love to hear from you. Email me on traffa-m@bigpond.net.au
Time is running out if you want to enter this.
The Caterpillar Poetry Prize – Closing date 31 March 2015
More information at: https://australianchildrenspoetry.com.au/2014/08/25/poetry-competition/