“Heroes” by Helen Katz

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The doctors and the nurses

Are constantly on call

To fight against this deadly thing

They’re heroes one and all.

 

The police and ambos working hard

To keep us safe and well

Are heroes too, they do their job

Despite this living Hell.

 

The check-out chicks and packers too

Contribute to the cause

By toiling still at this hard time

We offer our applause.

 

The people staying safe at home

And doing what they must

To keep apart and exercise

Obey and hope and trust.

 

We watch the heaps of videos

Of jokes and songs of hope

That people make to stay in touch

These heroes help us cope.

 

Thank God for Zoom and FaceTime

We see our kids and friends

When we’re allowed some virtual hugs

Until the nightmare ends!

 

This worldwide plight has shown to us

That heroes there abound

Who’ll find a cure and beat this bug

To make us safe and sound.

 

So, I’m a hero too, you know

By being true to me.

I stay inside and bide my time

Until we all are free.

 

 

And the winners are…

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13th Kathleen Julia Bates Memorial Writing Competition

 

For Australian writers only, this competition was for a non-rhyming poem suitable for a child up to the age of 12 years. Judges were Dianne (Di) Bates who sponsored the competition in memory of her late daughter, and her husband, poet and author Bill Condon.

There were 44 submissions. Overall, the standard was very good with some memorable poems. Some (excellent) poems which missed out on being placed were thought to be too sophisticated for young readers. Very few of the poems were playful or about children’s everyday life; most of the poems focussed on aspects of nature.

The judges have chosen the following poems for prizes:

1st prize of $150 for ‘Roar’ by Jaz Stutley

2nd prize of $100 for ‘Looking at the Moon through Binoculars’ by Vanessa Proctor

3rd prize of $50 for ‘Refugee Girl in the Playground’ by Duncan Richardson

The following poems were Highly Commended: ‘The Stars in the Sea’ by Paula Stevenson and ‘Dog = Love’ by Holly Williams

Thank you to all poets for entering the competition!

 

Word play with class

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Poetry in the Upper Primary Classroom

by Patrick Dower

‘Just as many PE teachers say “don’t use physical activity as punishment” to prevent students associating negative emotions with being active, I try my best to ensure students associate poetry with fun.’

The process of introducing in-depth poetry study to my class was gradual and – at least initially – incidental. As with any teaching approach, it was only once I recognised student interest that I began to consider the potential in a poetry focused Literacy unit. Prior to that, I had embedded the study of song lyrics and poems into Social & Emotional Learning lessons as a stimulus for discussion and personal reflection. These lessons helped create relevance in text from which the students had previously appeared detached. Discussing and comprehending the poems with a personal focus also assisted them in gaining the confidence required to study and compare a variety of poems in-depth and, most importantly, find enjoyment in reading and creating works of written art.

Poetry in Social & Emotional Learning

I regularly use songs as the stimulus for discussions in my Social & Emotional Learning lessons. I will generally read through the lyrics of the song prior to playing the music, particularly if it is a song they are unlikely to know. To ensure the primary focus is placed on the lyrics, I will often play the song on my guitar and sing, rather than use the recording.

Songs which I have used include, but are not limited to, The Road by George Harrison, focusing on the different paths students may take in their learning and progress, and Second Best by Hudson Taylor, which prompted a discussion on not accepting the putdowns of others and striving to achieve your best. Whilst these messages are not necessarily what was intended by the artist, they take on this form as the students relate them to their own lives.

The most powerful example, however, was the first time I used a song of my own. Addressing a specific social issue which had arisen in the class, I played a song I had written several years prior entitled Burgundy & Grey. The underlying theme of the song is that regardless of how well we think we know our acquaintances, we can never be entirely certain what is going on in their lives and how this may be affecting their behaviours. The class dissected it to within an inch of its life and were highly sympathetic towards the central character – a young girl named Keeley. It remained a regular topic of conversation throughout the year. The most powerful aspect of this class, however, was when they found out it was my own work.

After sharing my own writing, I noticed an increased willingness to experiment in their own and seek my feedback. They were more willing to share with the class and refer to their own experiences within their writing. It was an incredibly powerful moment in the context of our class and for me as a teacher.

From here, I was able to write poems specifically for use in the class – such as one entitled Sadness, which explored the difference between emotions and mental illness through the eyes of child whose Father had depression.

Poetry for Fun

Just as many PE teachers say “don’t use physical activity as punishment” to prevent students associating negative emotions with being active, I try my best to ensure students associate poetry with fun. We will regularly play rhyming games and re-write song lyrics as a class. One highlight was altering the words of Fight Song by Rachel Platten to be our ‘Year Five Song’ and performing it in assembly. Similarly, as part of a focus on the work of Shakespeare, the class enjoyed altering the lyrics of pop songs to fit into the format and style of a Shakespearean sonnet.

Poetry in English

My year level partner and I also implemented two English specific poetry units.

The first involved the performance of paired poems by Paul Fleischman. These are fantastic for getting students up in front of their peers reading poetry.

In the second, which lasted for most of Term 4, we used A Children’s Introduction to Poetry by Michael Driscoll to introduce the class to a variety of poetic styles, including villanelles, sonnets and limericks, as well as the work of specific poets, such as Poe, Blake and Shakespeare. After reading about the style of writer, the students would either respond with a poem of their own in that style or through other means, such as creating a film version of The Raven.

Poetry Club

This year I am in the process of starting a lunch time poetry club for Year 5 and 6 students. I hope to only facilitate this group, as the students – many of whom were part of my class last year – use their own interests and experiences to direct their writing and study.

Spreading the word

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ABC Local radio – a greatly under-utilised resource?

by Stephen Whiteside

I was very excited when my collection of rhyming verse/bush poetry for children, The Billy That Died With Its Boots On and Other Australian Verse was published by Walker Books in May last year. Walker did a beautiful job of putting the book together, and I felt confident that it would do well.

However, I was a little disappointed with what I felt was a lack of publicity. I made my own efforts, and did manage to secure an interview on ABC Local radio in Melbourne (774) on a Monday afternoon during the school holidays, but that was about it.

Then, when the book won a Golden Gumleaf for Book of the Year at the Australian Bush Laureate Awards during the Tamworth Country Music Festival in January this year, I realised I had the ‘hook’ I needed. It was particularly gratifying – and of interest to the media – that a book for children had won an award that is ostensibly an award for books for adults.

I decided to target ABC Local radio once again and, again, my home town, Melbourne came through. I secured an interview with Libby Gorr on a Sunday morning. However, I had no success with the other capital cities.

It then occurred to me that my natural constituency, given that the book was ‘bush verse’, was probably rural and regional Australia. With this in mind, I began to approach some of the smaller ABC Local radio stations. I quickly struck gold.

As a general rule, responses fell into one of three categories.

  1. The presenter loved bush poetry, and pounced on the opportunity to interview. (This happened a couple of times.)
  1. The station had no interest in the book unless I was visiting their town, which I wasn’t. (This also happened quite a few times.)
  1. The station was interested in the book, but needed some local connection with the book to justify an interview. This also happened on quite a number of occasions, and was where the challenge began.

I secured a state-wide interview in Ballarat by explaining the history of my various ancestors in rural Victoria. I secured an interview in south west Queensland by discussing the influence of Banjo Paterson on my work. (Paterson wrote Waltzing Matilda in this part of Australia.) I secured a couple of interviews in South Australia by discussing the influence of CJ Dennis on my work. (Dennis was born in South Australia, and lived there as a child and young adult.) I have secured an interview in Albany, Western Australia, by explaining that there are poems about whales in the book. (We will do the interview as soon as the whales arrive!) I have also secured an interview in Tamworth, because that is where I won the award.

I should add that all of these interviews (13 now in total) have been conducted without my leaving Melbourne. A few have been live, but most were pre-recorded. Most have been conducted on my mobile phone. I attended the ABC Soutbank Studios for the interview with Libby Gorr.

Of particular interest was the Ballarat interview, where I was placed in a ‘Tardis’ in Southbank. These are highly sophisticated studios that allow the interviewee to sound as though they are in the same studio as the interviewer, even though they may be many miles away.

My favourite interviews have been with the smallest stations in far off corners of this huge continent. The interviewers tend to be more passionate, the interviews longer, and the questions more interesting.

Do any of these interviews sell books? I don’t know, and I probably never will. I cannot see how they could do any harm, however, and they are great fun. Of course, the number of people listening to these programmes is likely to be less than with the large metropolitan stations, but there is nothing to be done about that.

My own feeling is that these smaller rural and regional ABC Local radio stations are a highly valuable and probably greatly under-utilised resource for authors trying to sell their books.

Weekly Updates

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Here are this week’s updates.

 

Articles:

In May this year, Walker Books is publishing a collection of Stephen Whiteside’s poetry for children, The Billy That Died With Its Boots On and Other Australian Verse.

Dr Stephen Whiteside shares his journey – The Fulfillment of a Lifetime Quest: Writing the Billy That Died With Its Boots On and Other Australian Verse.

Link here:

https://australianchildrenspoetry.com.au/articles/the-fulfillment-of-a-lifetime-quest/

 

Competitions:

Don’t forget to check our  Competitions‘ page for end of April submission deadlines.

 

Writers sought

As per my recent blog post, if you are interested in assisting as a  researcher and writer for the Australian Children’s Poetry blog site, more information can be found here:

https://australianchildrenspoetry.com.au/2014/04/18/writers-sought/

 

That’s it for this week.

 

Di  Bates

Friday updates

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Here are this week’s updates.

 

Articles:

Why are booksellers afraid of children’s poetry?

Link herehttps://australianchildrenspoetry.com.au/articles/why-are-booksellers-afraid-of-childrens-poetry/

 

Competitions:

Don’t forget to check our  Competitions‘ page for end of April submission deadlines.

 

Interviews:

Dianne (Di) Bates interviews Bill Condon

Link here: https://australianchildrenspoetry.com.au/interviews/bill-condon/

 

That’s it for this week.

 

 

 

Friday update

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Just advising you of new information and links that have been added to the site pages this week.

Articles:

 

Competitions:

Please remember to check the  Competitions page for ‘fast approaching’ deadlines.

New competitions have been added:

  • Children’s Poetry Anthology on Food and Agriculture – submission deadline:  14 June  2014
  • Peace Train Poetry Festival – submission deadline 30 June 2014

To view all the competitions just click on the ‘Competitions’ title to view listings on the one page. Competitions are listed in order of their deadline date.

 

Interviews:

If you are interested in an interview with the well-known ‘peace poet’, Professor Ada Aharoni, click on the interview link here: https://australianchildrenspoetry.com.au/interviews/peace-poet-ada-aharoni/

 

Links:

New links have been added here: https://australianchildrenspoetry.com.au/links/new-links/

 

Poets A-Z:

Two poet bios have been added to our growing list of talented Australian poets.

All listed poets can be viewed here or via the drop down menu (Poets A-Z).

 

That’s it for this week’s updates.